Selected Poems
Muzzle Magazine (forthcoming): “emily warns me not to fetishize sadness”
The Kenyon Review (forthcoming): “Nightcrawlers”
The Shade Journal: “Precipice”
Foglifter Journal: “In Which My Speaker Would Say Their Name Without Fear” & “dysphoria; or, self as improvisation”
wildness: “vanishing point”
Southern Humanities Review: “Ars Poetica: Lyric by River I Am Always Running Toward”
ANMLY: “preliminary notes for an essay whose conclusion still feels out of reach” & “in response to being told to take up more space”
The Journal: “In Which I Try to Make More Gentle My Revolt Against My Own Smallness” & “Contrapuntal Sestina in Which I Refuse to Perform the Disappearing Act” (nominated for Best of the Net)
Waxwing: “Because Aren’t We All Just Learning to Feel Loved,” “in which my body is not disastrous,” & “In Want of Crossing”
REMAKE: “twenty-first century ghazal in which i am afraid to say [ ]” (finalist for the 2022 Editors’ Award)
Tinderbox Poetry Journal: “Contrapuntal Ghazal After Birth and Before Resurrection” & “Field Notes on Living, Perpetually, on the Brink of Tragedy” (finalist for the Majda Gama Editors’ and Brett Elizabeth Jenkins Prizes)
The West Review: “Triple Sonnet for Leaving My Country of Birth” (nominated for a Pushcart Prize)
Selected Prose
The Journal (forthcoming): “To Waltz Through the Empty Space: A Review of Behnt by Temperance Aghamohammadi”
Gigantic Sequins: “Still Life; or, For Moments I Hold One Hand in My Other” (nominated for a Pushcart Prize)